Simon & Patrick SP6 Cedar, my guitar from Québec, satin cedar top, cherry wood back and sides. It was for this guitar that I made my first bridge pins and my first trussrod cover… It has lived, I don’t play it much now but it will be difficult for me to part with it if I have to one day…

Epiphone Les Paul 1960 Tribute Plus, I love its sunburst finish and also its Gibson classic 57 pickups… It has undergone some customizations, boxwood and yew potentiometer knobs, trussrod cover, surround plate and selector knob made of boxwood and also in a “test phase” for more than a year, boxwood action keys!

Gretsch G9201 Honey Dipper resonator, brass body, mahogany neck, rosewood fingerboard… Welcome to the world of single-cone resonators. For sliding, it’s definitely my favorite! New yew and boxwood biscuit for the nut, the original one being very average… An oak coverplate, made from an old recycled parquet floor, has “demetallized” the sound, less aggressive and so much more beautiful as well! The trussrod cover and deck are made of the same walnut.

Taylor Academy 12e, table épicéa, corps en sapelé stratifié, manche acajou et touche ébène, format Grand Auditorium avec un armrest intégré, elle est d’un très grand confort. Achetée à un ami qui l’avait bien faite bourlinguer, elle a une âme cette petite. Je lui ai ajouté un pickguard en noyer et un cache trussrod du même bois. Electro acoustique? Elle ne l’est plus! Ca laisse la place à une petite ouïe sur le haut de l’éclisse, parfaite pour encore mieux profiter du son qui en sort!